blue.gif (1032 Byte) KUNST+PROJEKTE
Sindelfingen e.V.,
Germany - since 1989
in cooperation with the
Galerie der Stadt Sindelfingen —>
und
Trossingen University of Music —>

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2011 liberalis

liberalis ·

die Freiheit betreffend · Tanz des Verstehens
pursuit of liberty·
persuit of happiness

2010 the hybrid fuels ...

the hybrid fuels ...

suddenly this inside
  plötzlich diese Einsicht

2009 no fixed points

20 Jahre / years KUNST+PROJEKTE
... keine Fixpunkte im Raum
... no fixed points in space


2008
... on peas ...

… auf der Erbse …  on peas
– strange connections –
kunst und moden
 art and fashion


2007
Korrensdondenzen

Ivo Wessel
Korrespondenzen
Kunst und Literatur,
Enzyklopädien
und Deklinationen


2004-6 Fama Fluxus Mythos Beuys - Projekt 2004-6

Trilogie

Yellow PERIL,!
c'est moi.
N. J. Paik

Legende Paik


Originale



1 site - 2 places1site-
2places

Plural Skulpture
Jochen Gerz

Sindelfingen
photo album

Kunstfest
Hohenkarpfen


2012 !Perla_Miseria!


!Perla_Miseria!


Tina Bara / Alba D'Urbano


17 November 2012 - 13 January 2013

 

curator: Ingrid Burgbacher-Krupka


Galerie der Stadt Sindelfingen
Marktplatz 1
71063 Sindelfingen
Tel. +49 (0) 7031 943 25
how to get there



Generously supported by:

Mercure Hotel Bristol Sindelfingen    Electro Elsässer

 

deutsch

2012

„!Perla_Miseria!“

 

“!Perla_Miseria!” is the result of a pun: In Italian “Per la miseria!” is a common swear word, meaning “what a bummer!”. When put together, an ironical contrasting pair is formed, which is also understandable in English: Pearl-Misery. Further associations point towards thematic complexes that the artists deal with: Beauty–ugliness, wealth–adversity are always coupled with social and political processes and bodily representations.

Bellissima
Bellissima, Politecnico, [Back Stage], 2006 / 2009

In this context, Tina Bara and Alba D'Urbano thematise various topics, that deal with the constitution and the media's handling of (female) bodies. In the exhibited works, connections can be made with sports, politics, discipline, control and surveillance, but also to self-determined oppositional strategies of game.

Disturbo Mentale: Evil Nails, 2011Disturbo Mentale

The images and videos in contrast to the visuality of mass media, form a type of counterpoint by working with shifting “surfaces” and actions in regards to the portrayed. Thus the artistic duo combine documentary strategies with performative image compositions, narrative with conceptual elements, to which textual and auditive layers are added, that hint towards specific biographical and social contexts. In connection with each theme, the individual is placed into a relationship between remembrance and the present, as well as the utopian moments of associations that it entails, via general contemporary questions in a biographical context.

-> alba d'urbano • tina bara

covergirl
Covergirl: Wespen-Akte: Story Tales, 2008 –2009


750 pictures for Sindelfingen
using camera obscura

Andreas Hauser: camera obscura
by Andreas Hauser,
Goldsmith